Page 196 - 第30屆大墩美展專輯-電子書

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優
選 Award of Merit

陳志駒 當代肖像的造象思維
The Iconography of Self: Contemporary Portrait Thinking
CHEN Zeno
100×120cm

作品說明 Description
以非寫實人像為基礎，重構影像中的性別、膚色、國籍 Based on non-representational portraits, this work reconstructs identities of
gender, skin color, nationality, and race within the image. When photography
與種族認同。當攝影不再僅為「再現」，而是追尋自我
no longer serves merely as “representation” but becomes a digital vessel for
與文化記憶的數位載體。作者試圖模糊攝影與繪畫的界 self-exploration and cultural memory, the artist seeks to blur the boundaries
線，十足回應當代語境中對「肖像」符號性的再思考。 between photography and painting. This strongly responds to contemporary
context of the symbolic meaning of “portrait.”