Page 134 - 第30屆大墩美展專輯-電子書

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入
選 周依潔
CHOU Yi-Jie

作品說明 Description

以俯視視角觀看家飾和動物形體的瓷
器，家具物件代表女性，以高高在上
的俯視姿態和所謂的大男人主義凸顯
男女存在議題，結婚照代表女性後半
輩子走向和未來被限制的框架，透過
餐桌描寫讓物件以多種角度進行視角
Short List
轉換，探討身為女性所面臨的窘迫，
房間是女性找到自我的關鍵，不只是
「家」，更是面對真實自我的私領域。
Viewed from a bird’s-eye perspective,
porcelain figurines of home décor and
animals occupy the scene, with furniture
symbolizing women. The elevated vantage
point, embodying a so-called macho
dominance, highlights gender existence
issues. A wedding photo represents the
woman’s latter life, constrained within
imposed frameworks and future limitations.
Through the dining table’s depiction,
objects undergo multiple perspective
shifts, exploring the dilemmas women
face. The room becomes the key space
where a woman finds herself—not just a
“home,” but a private realm confronting her
true identity.

國王
King
116×90.5cm