Page 257 - 臺中市第二十七屆大墩美展專輯

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ୋ ɧ Τ

Third Prize

陳亭君 作品說明 Description
வ݊ʔᓙૅᔎίҢː᎘ٙॆྼટᙃ€ஹഐfɰ஢ This is the real contact (connection) that constantly lingers
CHEN Tin-Chun on my mind. Perhaps there is no real contact, but if there
ӚϞॆྼٙટᙃdШ߰Ϟdึ݊ʡჿk൳݊ᝈ࿀ၾ
were, what would it be? The more I observe and experience
అdဘ༷ٙɛ ᜗᜕Іʉၾ̮ίdҢ೯ତၾ˼ɛٙॆྼટᙃᜊ੻฽ myself and the external world, the more difficult I find to
Oh, Le Flâneur މѢᗭdԨڢʔᗴจdϾ݊ʘගԟԬ஢ٙરৰձԣ have real contact with others. Not that I am unwilling, but the
ༀໄ exclusion and defense are too strong, and gradually, we grow
ጏ˄ཀ੶डdနနٙdʔІίəfהፗٙॆྼdɰ uncomfortable. The so-called “real,” perhaps does not refer to
஢ʔ݊༑ႧɪٙҁΌվ༐dϾ݊ක׳ʫː̘ટϗf absolute honesty in words, but to accept with an open mind.
The images is deconstructed and re-layered and assembled; it
ᅂ྅װ༆ɦࠠอʹᛌܳಫd̴ʔঐٜͣ׼ᐝd̴̀
cannot be straightforward, and it has to be simple but distant.
඲ᔊఊШϞ൷ᕎf̴ʔঐ̥݊ᅂ྅ᒔ̀඲ўϞࣛග It cannot be just an image; it has to capture time and space—
ၾ٤ගd̴݊ɓࡈ຅ɨf it is a moment.