Page 103 - 臺中市第二十七屆大墩美展專輯

102

ୋ ɧ Τ

Third Prize

黃敏欽 作品說明 Description
౜ᖭণᓉᕚҿԸઞ॰ତ˾ɛၾІ್ٙᗫڷfڗ Depicting thickets to explore the relationship between
HUANG Min-Chin modern men and nature. Through long period of painting,
ࣛගᖭ೥ཀ೻ʕઞী˜ᅂ྅™ၾ˜̻ࠦ೥Ъ™
I explore the possibilities of inter-dialectics or permeation
ᓉၠɧɤ–ો݋ ගdʝ޴ᚗᗇא݊သீፄΥٙ೯̙࢝ঐf೥ࠦ and fusion between “images” and “graphic paintings.” The
Green Thickets No.30 composition is influenced by “abstract painting” of Western
- Morning Star ࿴ϓաՑəГ˙ତ˾˴່ٙ˜פ൥ᖭ೥™ၾ؇ modernism and traditional Oriental philosophical thinking
93.5Ò119cm ˙ෂ୕˜˂ɛΥɓ™ᅂᚤd˜˂ɛΥɓ™݊͟ of “unity of men and nature.” “Unity of men and nature”
was first developed by Taoist Zhuangzi into his system of
༸࢕୿ɿ௰Ϙ೯࢝މࡪኪܠซ᜗ӻdႭ׼ɛၾ
philosophical thinking, pointing out that men and nature
І್͉ሯɪ݊޴ஷٙdה˸ɛᏐ༈න੽І್஝ share the same essence, and therefore, men should follow
natural rhythm to achieve a state of coexistence between
ܛd˸༺ՑɛၾІ್ձፓ΍πًٙ࿒f
men and nature.