Page 233 - 第23屆大墩美展專輯電子書

雕
塑
類

林 國瑋 Sculpture

LIN Kuo-Wei —
選
入

作咆說明
以人體作為敘轕的方式，將樟木嵌入其
中，表辙人與自然共存、共生的想法，轲 Short List
是人們早已意識到的狀態，但要做到何其
困難！藉創作來表辙自己對於自然環境的
想法，用紋身的概念來詮釋人們取之於自
然也當回饋於自然。女體背部、胸口及手
臂部分皆有樟木樹枝的紋身，象徵對自然
環境的態度與關心，而在手掌交疊處，放
置了用木頭做的嫩芽，隱喻人們當以雙手
的行動來回饋自然環境，並警惕自我與環
境間的協調，往共生、共存的目標去完成。

Description
Using human body as means of narration,
which is embedded with camphor wood
to convey the idea of coexistence of
men and nature. This is the situation
men have already become aware of, but
it is rather difficult to achieve! Through
my creative work, I convey my ideas on
natural environment. The concept of tattoo
interprets how men should also give back
to nature as we take from nature. The
back, chest, and arms, of the female body
all display tattoos of camphor branches,
symbolizing the attitude toward and
concern for natural environment. Wooden
sprout is placed at the overlapping of the
hands, which is the metaphor of men
giving back to natural environment by
taking real actions with their hands. This is
also to warn myself to maintain harmony
with the environment, and work towards
the goal of coexisting with nature.
樹紋身的女孩／ The Girl with the Tree Tattoo 78×100×83cm

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