Page 204 - 第29屆大墩美展專輯電子書
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梁海莎         LIANG Hoi-Sa                                                        ЪۜႭ׼    Description

                                     ”ⲫ൳ٙ۶࿒•݊͛նІᏀҵٙɢඎભ୭eᙑ׳ٙ۶࿒d൥                       The "Transcending Postures" is the breaking free and liberation of the
                                                                                      suppressed vitality of life, symbolizing an infinite and limit pushing
                                     ᅄೌࠢʿ༨൳ޢࠢٙ˙όfͣЍɽଣͩeලЍ͖؛֧޴ମҿ
                                                                                      method. The combination and contrast, and formal metaphor, of
                                     ሯٙഐΥၾ࿁ˢeிҖٙᒯఏd̜ఎࡈ᜗͛նʕːଣٙͿ                        heterogenous materials of white marble and black basalt summon the
                                     ݴf˸ᎉ෧Ъމɓ၇͛նٙπίdீཀிҖٙᔷʷၾܸऒd                       underlying psychological currents in individual lives. Sculpture serves
                                                                                      as a kind of existence of life, connecting the fullness, dissolution, and
                                     ஹഐঐඎᔷʷʕ͛նٙတޮeऊፄeऊঃٙ͛նҖόf
                                                                                      consumption of life forms through the transformation and reference of
                                                                                      form.
       三
       名  Third Prize
       第












































                                                                                 踰越的姿態2  Transcending Postures2  92×50×95cm
                                                                  白色大理石e黑色玄武岩e不鏽鋼e榻榻米  White Marble, Black Basalt, Stainless Steel, Tatami











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