Page 241 - 臺中市第二十七屆大墩美展專輯

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፯ ɝ

Short List

黃敬中 作品說明 Description
௴Ъᗫءٙ˴ᕚ݊˜͛ն༾Ѣྤܝሯᜊٙ͛πً The themes of the work are “the state of existence
HUANG Jing-Jhong after qualitative change of life through crisis” and “the
࿒™ʿ˜૿ӗၾॣҏٙစ͛ݴᜊ™dԴ͜ލ௴Ъ
derivative flows of chaos and order.” I use charcoal
ʔࠅ᎑᎑Ԑɝ#1 ٙਗዚ݊Ҏૐஹഐɺή€І್eԒ΅€϶ၾ؇ because I want to link the land (nature), identity (bamboo
Do Not Go Gentle into That #1 ˙eፋᇝ€˨ፋ݊یҳ϶ʆɛdख़˨ಀ຾ᐄ϶ and the Orient), and kinship (Father was born in
94Ò120Ò120cm Zhushan, Nantou; Grandfather once owned a bamboo
ॷʈᅀdԨܠϽਗ਼ಀ຾ኪ୦ཀ່ٙɽл̚Պ৵ paper factory), and contemplate on combining the Italian
ᒄдҦجʿၽᝄෂ୕਒ᓂʈᖵഐΥdЪۜԴ͜ᇉ classical mosaic technique I have learned with Taiwan’s
traditional craft of cut-and-paste ceramics. The work uses
ደཀٙ϶ލdᙺء࿁׵˜͛նಀ຾ᐆᙻdቊ༾˦
kiln-fired bamboo charcoal, in which the philosophy of “life
๪ܝٙಞቱdΎϣᔮସ͛ڗ™ٙࡪܠʿ͛࿒ృᐑ has been radiance, but the remnant after burning will once
ٙၚग़f again thrive and grow,” and the spirit of ecological cycle.