Page 142 - 第25屆大墩美展專輯電子書
P. 142

ɝ፯
                                        ৷  भฉ                                            KAO Pei-Tzu

                                        ЪۜႭ׼                                             Description
                                        ྅ᒔ݊ʔ྅f                                           Like or unlike.                                         Short List
                                                                                         The opposition or integration of realism and unrealism are important
                                        ᄳྼၾڢᄳྼٙ࿁ͭאഐΥdே݊ӊࡈࣛಂࠠࠅٙπίf
                                                                                         existences in each and every period. "The Weeping Woman" is the
                                        ”࡯ؠٙɾɛ•݊ଭ̔॰̦་Ъۜ”ࣸဧ̵̔•߮ᗭ˴ᕚٙ
                                                                                         continuation of the misery theme of Picasso's epic work "Guernica." To
                                        ַᚃd࿁˼ԸႭவʑ݊ଉՍٙᄳྼdϾʔ̥݊৾वίڌࠦd                       him, this is real and profound realism, rather than super cial depiction,
                                        ˀϾһ͂ਗɛːfʔΝٙݼйίΝɓࣛಂேึաՑᒑሞၾף                       and is more touching. Different schools come under scrutiny and
                                                                                         criticism in the same period of time, but in the end, they become key
                                        ᏘdШ௰ܝۍึϓމᅂᚤܝ˰ܘɽٙ೯࢝ʘɓfה˸ʡჿʑ
                                                                                         developments that have great influences on the future. Then, what
                                        ݊ᄳྼdʡჿʑ݊ڢᄳྼճk
                                                                                         exactly is realism? What is unrealism?























































                       ྅  Likeness ā89Ò114cm

 140                                                                                                                                         141
   137   138   139   140   141   142   143   144   145   146   147