Page 143 - 臺中市第二十六屆大墩美展專輯

HUANG Mei-Lun 黃 美倫

Description ЪۜႭ׼
The work depicts the garden full of spring sceneries from childhood
memory—a scene of thousands of butter ies dancing. In rural areas ”ϵሁᕢ࠰•ڌ༺ഁϋাኳ༁တ෤݆Ѝeຬሁ߈૞ٙ೥ࠦf60
in the 1960s, people had limited resources as many children went to ϋ˾ٙඊ௉dᒔϞഹԏ໔ɪኪٙՍ߮dߠഹࣣ̍߈൳͞ବֆࠌࣧ
school without shoes, and run around in the elds towards the gate
of school carrying their bags. Despite my stumbling, I remember the ژٙ೾ྤfᒱ⠐⹹Шၾ༩ཀࣛတ˂࠭ႀeЍ੹౴ᙴٙሀሁҖϓ࿁
butterflies flying when I passed by. Contrasting with the colourful
butter ies leisurely dancing among owers, I reminded myself that ˢd౤፴ഹϓڗʕٙІʉd͛ն͍˸˼ࡡ͛ՈϞٙҖ࿒˙ό࢝ ɝ፯
life is manifesting itself in its most original form, as we all had our စd΢ჯ˂նdۇ౲ک݊l Short List
mandates that we must bravely embrace!
The work is black and white, symbolizing the sorrows of time; ዆ੵЪۜॱලͣɚЍd൥ᅄࣛගϞଅdፆЍٙাኳܘᅼᇔ˲ɦ
faded memories are blurry yet real, as I have already forgotten the
magni cent butter ies before our ecological environment changed, ॆdҢϘʊʔা੻͛࿒ᜊମۃሁٙ౴ᙴုᘆd̥௵ɨဘ˂࠭ႀٙ
and only the shapes of their wings flying and dancing in the air ᕐॼҖًf
remain in my memory.
I used gesso to paint irregular color patches as the foundation, and л͜GESSO෩כϓʔ஝ۆٙ෯ֵࠦ͂dΎ͜ൄ̺͘بذ੹Ꮬ̈ॼ
used scrub as paintbrush to smudge the lines of wings and shapes of
owers. An experiment with not using a paintbrush. " ၶᇞૢ˸ʿڀϢٙҖًfʔ͜೥അٙɓࡈྒྷ༊f

ϵሁᕢ࠰ The Blurred MemoryÑButter ies in the Flowering Shrubsā90Ò102cm
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