Page 71 - 第24屆大墩美展專輯電子書
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Jury's Comments, Calligraphy Category                                                HUANG Chih-Yang                   ᗳ ج ࣣ






                      In recent years, Taichung city has experienced rapid cultural   Third Prize winner, SHI Bo-Xian’s “After Drunk, I Donated to
                   development; along with promotion of art and building of the image   Zhang Xu,” is expressed in cursive script. The brushstrokes are
                   of an international city, these are key achievements recognized   �luid and powerful, demonstrating smooth energy and appropriate
                   and praised by professionals in the art and cultural circles. The   variations and intensities. However, the composition is balanced and
                   annual Da Dun Fine Arts Exhibition has always been a key event   the spacing is too consistent, resulting in lack of expressiveness, and
                   revered by participants for its high prize money and impressive   insuf�icient visual impact.
                   international exhibition plan. Da Dun Fine Arts Exhibition has   YEH Hsiu-Hung’s scroll in clerical script, “A Poem of Hanshan,”
                   become a competing stage for all artists in Taiwan, as well as a great   is written in the style of DENG Shi-ru, capturing the essence of his
                   observation platform for international art lovers.       spirit. The form of the characters features contrasting intensities,   Calligraphy
                      Calligraphy Category of the 2019 Da Dun Fine Arts Exhibition   and the brushstrokes are unadorned and bold, manifesting a simple
                   received 9 overseas submissions. After the preliminary review, 16   and robust visual effect. However, the author follows closely DENG’s
                   works were selected for the �inal review, where the jury consisting   rules and lacks unique personal expression, as his creative mindset
                   of CHEN Hsuan-Ming, LI Wen-Zhen, HSIAO Shih-Chiung, LIN Rong-  may seem a bit conservative in an exhibition like this.
                   Sen, and HUANG Chih-Yang, selected top three prize winners, three   LU Cai-Xia’s “Cen Shen’s ‘Climbing Zongchi Pagoda’” combines
                   Award of Merit recipients, and 10 shortlisted works.     different styles of bronze inscription, featuring bold and primitive
                      First Prize winner is SHIH Cheng-Yu’s “Poem by Zhao Meng-  strokes. The forms of the characters are distorted, showcasing a
                   Fu.” His clerical script is natural and free, and manifests in�luences   strange charm. The composition is dense, exhibiting an interesting
                   of the styles of Han tablets and Qing clerical script; his work echoes   effect with characters of various sizes, and a weathered image of
                   the charm of YANG Xian’s calligraphic style, while also preserving   rubbing of ancient text. However, when looked at closely, some of the
                   rich personal characteristics. The brushstrokes are not bounded   forms seem to focus too much on variations and are a bit too crafty,
                   by convention, and the forms feely stretch to reveal a free literati   perhaps the author should beware of this.
                   quality. It is especially rare for him to stick to the natural style in a   It is not easy to stand out from so many brilliant works. The
                   competition, and therefore has earned praises of the jury.   selected works obviously have strengths, and therefore, to be chosen
                      Second Prize winner, CHANG Pei-Yuan’s “Seven Passages   to Da Dun Fine Arts Exhibition is already a great recognition of
                   of Xu Wei’s ‘On Calligraphy,’” features four scripts, and each of   creative expertise. Although art creation is subjective, we try to
                   the seal, clerical, standard, and running scripts, is unique; even   be objective when we judge the works, but inevitably we will have
                   though the characters are in different scripts, they are all natural   different opinions. This is common and natural when appreciating
                   and elegant, presenting consistent style. This shows the author’s   works of art. Winners should not gloat, and losers should not be
                   sound traditional techniques. This work is unlike large characters   bitter; Da Dun Fine Arts Exhibition is an inclusive platform, and
                   he created in the past, and because he bravely challenges self,   all participants must feel this way. Even though all creators have
                   while also showcasing a reserved yet elegant style, he has won the   different styles, when their works are showcased together, it is
                   recognition of the jury.                                 already a great feat that should be rejoiced and celebrated.







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