Page 59 - 第24屆大墩美展專輯電子書
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௓  ၴभ
                                         CHEN Chao-Pei
                                                                                                                                               ɝ

                                         2007  ୋ1֣НΈᇝ਷ყᖵஔ࢕ᆤ˜ᝈ˰ࠪമᔜ໋྅೥࢝™ୋɚΤ
                                         2006  ୋ5֣੹ኈอɛሧᐏ˜อɛሧ™                                                                                  ፯   Short List


                                         2007  The 1st Foguangyuan International Artist Award “Avalokitesvara Portrait
                                              Exhibition,” Second Prize
                                         2006  The 5th Tsai-Mo New Artist Awards, New Artist Award




                ЪۜႭ׼
                ீཀ˜ɛيஞሔࠇྌ™ੂБ௴Ъdၾ஗ᖭ࿁൥ࠦ࿁ࠦʹሔd੽
                ཫணٙਪᕚʕႎණ஗ᖭ࿁൥הΫూٙʫ࢙Ԩা፽ϓ˖οdΎ੽
                வԬ˖οা፽ၾҢࡈɛ࿁஗ᖭ٫ٙଣ༆̘࿴ܠ࿁ɛيٙڌତҖ
                όԨணࠇ᙮׵஗ᖭ٫ٙࡈɛྡࣩf
                ڌତ˙ࠦdɛيՍจ˸ॱኈЍяତdϞจೌจ˸̘ᇞૢ˙جڌ
                ତɛيd˸ኈ෯਼ᛌeัݑא˸ॱලኈ̻෩яତeא˸ᔊഅe
                वͣڌତɛيிۨf࿴ྡ˙ࠦdΌ˸ஞሔʕତఙש๫ٙɛ྅̘
                ࿴ܠdɛيၾྡࣩٙᗫڷ޴Ⴞ޴ϓdڢॱ˸ɛيאྡࣩމ˴
                ԉdՉʕ࿴ྡٙवͣࣖ؈͵݊ڌତࠠᓃʘɓdᜫ೥ࠦᜑ੻ੵɢ
                ၾቾɢf೥ࠦɪˀᔧٙྡࣩʷڌତd݊੽࿁ሔٙ˖οৃࢹ༁዆
                ଣ̙̈ྡࣩʷٙႧԊd˸ᐿል˲Ϟॣҏٙરΐ࿴ϓၾɛي޴խ
                Ꮠٙ೥ࠦf

                Description
                I execute my creative project through the “Exclusive Interview
                Series,” talking face-to-face with the subjects of my portraits. From
                preset questions, I collect the responses of my subjects and keep
                written records, and come up with the expressive formats for these
                subjects based on the written records and my understanding of the
                subjects, and design their personal pictures.
                In terms of expression, the subjects are intentionally presented
                through pure ink; half intentionally, I use lines to express the
                subjects, and through layering of ink patches, rendering, and  lat-                                                            ኈ
                application, I present them through simpli ied strokes and blanks.                                                             ੹
                In terms of composition, I use the photographs taken during the
                interviews, and the subjects and their pictures share complementary
                relationships; neither of the subjects or pictures are the main
                themes of the paintings. Another key expressive element is the                                                                 Ink Wash Painting
                empty spots, giving the paintings more tension and attractiveness.
                The repeatedly pictorialized expressions are the language compiled
                from the written records that can be pictorialized, and through
                complicated and orderly arrangements, I construct scenes that echo   ɛيஞሔࠇྌ-Ϟқᗴ؂ਕ࿲ᚑ̔ٙเā125Ò100cm
                the subjects.                                       Character Interview Plan: Miss Yang, Who Has Volunteer Service Honor Card.


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