Page 257 - 第22屆大墩美展專輯電子書

數
劉 晉彰 LIU Chin-Chang
作品說明
數位藝術是人們表達情感的自由創造；此件作品以「數學
創造構成藝術」的思維角度，其主要以數位影像蒙太奇重
組敘事技法呈現。而作品遠看有著鋼鐵人臉符碼(形容父
親)，畫面近看有上百個立方體構成(形容生活的挑戰)，而
作品主軸其表達反映，老爸為生活找出路，孩子為童年找
出路，一語雙關的帶動視覺畫面美感。以多重角度和不同
距離的立方體數學構成之組合，呈現現實生活父親與兒子
的對話情境；意味著，孩子生活中期待父母陪伴與同樂的
畫面，看似美好但礙於工作、事業或是瑣碎之事而忽略孩
子的想法。
位
藝
術
類
Digital Art
名 Third Prize ─
第
三
老爸！我們到了嗎？／ Dad, Are We there Yet? 80×120cm
Description
Digital art is free creation through which people convey their emotions;
this work takes the angle of“mathematic creations form art,”and is
presented main through the narrative technique of reassembled montage
of digital images. Looked at from a distance, the work features the face
of Iron Man (indicating father), and when looked at up close, the work
features nearly one hundred cubes (symbolizing challenges in life). The
work aims to reflect that father fights to get ends meet, and children fight
for childhood, and the two-folded meaning further drives visual aesthetics
of the work. The combination mathematically formed by cubes of different
angles and distances presents the real scenario in life where father
dialogues with son. It means that children long for parents being around
them and enjoying life together; it may seem wonderful, but parents often
neglect what children want because of work, career, or trivial things.
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